Archiv Ladislava Hejdánka | Kartotéka

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In Roman mythology, Disciplina was a minor deity and the personification of discipline.[1] The word disciplina itself, a Latin noun, is multi-faceted in meaning; it refers to education and training, self-control and determination, knowledge in a field of study, and an orderly way of life. The goddess embodied these qualities for her worshippers. She was commonly worshipped by imperial Roman soldiers, particularly those who lived along the borders of the Roman Empire;[2] altars to her have been found in Great Britain and North Africa. The fort of Cilurnum along Hadrian's Wall was dedicated to the goddess Disciplina, as witnessed by an extant dedicatory inscription on a stone altar found in 1978.[3] Her chief virtues were frugalitas, severitas and fidelis—frugality, sternness, and faithfulness. In worshiping Disciplina, a soldier became frugal in every way: with money, with energy and actions. The virtue of severitas was shown in his focused, determined, not easily dissuaded, and decisive behavior. He was faithful to his unit, his army, the ofilosoficers and the Roman people.
http://en.Wikipedie.org/wiki/Disciplina

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In Roman mythology
Roman mythology, or Latin mythology, refers to the mythological beliefs of the Italic people inhabiting the region of Latium and its main city, Ancient Rome. It can be considered as having two parts; One part, largely later and literary, consists of borrowings from Greek mythology...
Disciplina was a minor deity. A deity is a postulated preternatural or supernatural immortal being, who may be thought of as holy, divine, or sacred, held in high regard, and respected by believers, ... and the personification of discipline. The word disciplina itself, a Latin noun, is multi-faceted in meaning; it refers to education and training, self-control and determination, knowledge in a field of study, and an orderly way of life. The goddess: A goddess is a female deity. Often deities are part of a polytheistic system that includes several deities in a pantheon. In some cultures goddesses are commonly associated with the Earth, motherhood, love, and the household, often reflecting the historical gender roles of that culture...
embodied these qualities for her worshippers. She was commonly worshipped by imperial Roman soldiers, particularly those who lived along the borders of the Roman Empire
Goddess; altars to her have been found in Great Britain and North Africa. [They were] dedicated to the goddess Disciplina, as witnessed by an extant dedicatory inscription on a stone altar found in 1978. Her chief virtues were frugalitas, severitas and fidelis—frugality, sternness, and faithfulness. In worshiping Disciplina, a soldier became frugal in every way: with money, with energy and actions. The virtue of severitas was shown in his focused, determined, not easily dissuaded, and decisive behavior. He was faithful to his unit, his army, the ofilosoficers and the Roman people.
The source of this article is Wikipedie, the free encyclopedia. The text of this article is licensed under the GFDL.
http://www.absoluteastronomy.com/topics/Disciplina

Wikipedie ()

Cilurnum or Cilurvum was a fort on Hadrian's Wall mentioned in the Notitia Dignitatum. It is now identified with the fort found at Chesters near the village of Walwick, Northumberland, England...
along Hadrian's Wall
Hadrian's Wall
Hadrian's Wall is a stone or turf and timber fortification built by the Roman Empire across the width of what is now northern England. Begun in 122, during the rule of emperor Hadrian, it was the first of two fortifications built across Great Britain, the second being the Antonine Wall in what is...
http://www.absoluteastronomy.com/topics/Disciplina

Wikipedie ()

Look up novelty in Wiktionary, the free dictionary. 2007
Novelty is the quality of being new. Although it may be said to have an objective dimension (e.g. a new style of art coming into being, such as abstract art or impressionism) it essentially exists in the subjective perceptions of individuals. It also refers to something novel; that which is striking, original or unusual.
Novelty can refer to:
- Novelties, small manufactured adornments; similarly novelty item, a toy or collectible
- Promotional item, novelties used in promotional marketing.
- Novelty (locomotive), one of the first steam locomotives which was due to compete at the Rainhill Trials of 1829
- Novelty (patent), part of the legal test to determine whether an invention is patentable
- Novelty, Missouri, a place in the United States
- Novelty dance, a type of dance that is popular for being unusual or humorous
- Novelty record, a musical album that capitalizes on something new, unusual, or a current fad
- Novelty show, a competition or display in which exhibits or specimens are in way some novel
- Novelty architecture, a building or other structure that is interesting because it has an amusing design
- Novelty effect, the tendency for performance to initially improve when new technology is instituted
- Novelty theory, an eschatological theory promoted by Terence McKenna
- Novelty, a chess term for a move in chess which has never been played before in a recorded game
- Novelty (album) by Jawbox
- The Novelty, a piano-rock band from Poughkeepsie, NY.
- Novelty is also an often used name for Russell Township in Ohio.

Ladislav Hejdánek (2012)

Každý filosof myslí především ve své době, ale zároveň myslí tak, že stále bere v úvahu, jak mysleli jiní před ním, a dokonce někteří už velmi dávno před ním. To ovšem vůbec neznamená, že musí zvládnout vše, co kdy před ním bylo myšleno – či přesněji, co kdo kdy před ním na základě toho, jak a co myslil, zapsal; filosof je jen člověk a je tedy ve svých možnostech omezen (někdo víc, jiné méně, ale omezený je každý), a proto si musí vybírat. A tady je postaven před první veliký problém: na základě čeho si má vybírat, podle jakých měřítek? Nejprve žádná měřítka nemá; to ovšem neznamená víc, než že si jich není vědom, že je nemá pod kontrolou. Proto musí každý filosof svá měřítka (zejména v prvních dobách) stále opravovat a upravovat. Tak se do jeho myšlení vždycky nějak vkládá, vsunuje, „náhoda“. To není žádná vada, ale nutný průvodní příznak toho, že je svobodný a že mu je k dispozici svobodná volba. Čím má svou volbu resp. své ustavičné a nezbytné „volení“, „selekci“ postupně víc a víc pod vlastní kontrolou, tím je svobodnější, a to opět podle toho, jaká kritéria si postupně bude stanovovat, nakolik se jich bude nadále držet a do jaké míry bude mít jasno, z jakých důvodů tu a tam bude svá kritéria muset upravovat a měnit. Tím vším je vždy „dítětem své doby“ a tedy na své době, kterou si nezvolil, víc nebo méně závislý, bez ohledu na to, zda o tom ví či nikoliv. Protože však ve filosofii neplatí, že starší a staré je vždy méně hodnotné a méně důležité, Může se někdy – a nikoli vždycky neprávem a ze své strany chybně – dostávat do sporu, distance a nesouhlasu nejen s mysliteli dávnými, ale i současnými. Můžeme dokonce trochu zobecnit a říci, že pokud se někdo nedostává do sporu s jinými současnými mysliteli, není a nemůže sám být ve svém myšlení vskutku na úrovni (pochopitelně za předpokladu, že jde o spor z jeho strany vědomý a cílevědomý). V takových případech, kdy se do sporu se „současnými mysliteli“ vědomě dostává, bývá dobré, když se aspoň zčásti opírá o vybrané (zvolené) myslitele starší a třeba dokonce nejstarší. Ale i tehdy nejde o pouhou recepci něčeho z „díla“ starších myslitelů, nýbrž o svobodnou volbu prostředků a materiálu pro své vlastní filosofování. Pak je ovšem stále důležitější, jak se vztáhne svým myšlení k „současnosti“, tj. ke své vlastní době.
(Písek, 120624-2.)